Tosetto Allestimenti was commissioned to fabricate the exhibition, “Van Gogh. L’uomo e la Terra” (The Man and the Earth), which ran at Palazzo Reale in Milan between 18 October 2014 and 15 March 2015.
Client: 24Ore Cultura
Design: Kengo Kuma
Dates: 18.10.2014 – 08.03.2015
Location: Milano, Palazzo Reale, Milan, Italy
Services: exhibition services
Tosetto Allestimenti was tasked with creating exhibition panels lined with jute, a cheap, rough fabric that Van Gogh used when times were hard. This material was also used in a drape-effect on the ceiling.
The company was also responsible for the many free-standing exhibition units, as well as the display cases that held an extensive selection of the artist’s letters, and the captions. In addition to the titles and technical data, these included quotations from Van Gogh himself, where he describes the work or comments on its origins.
From 24 to 30 October 2022, at the New Munich Trade Fair in Munich, it was held the 33rd edition of Bauma, the world’s leading trade fair for construction, mining, construction materials and earthmoving machinery. An unmissable appointment for business operators, during which we worked alongside the Comacchio company, a manufacturer of machines and plants …
Tosetto has recently designed and built the new racks for the drawing depot of MAR-Art Museum in the City of Ravenna. Make use of space is a crucial issue to ensure the protection, conservation and enhancement of the works currently not exposed to the public. The sliding racks are therefore the ideal solution that allows …
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Van Gogh exhibition at Palazzo Reale, Milan
Tosetto Allestimenti was commissioned to fabricate the exhibition, “Van Gogh. L’uomo e la Terra” (The Man and the Earth), which ran at Palazzo Reale in Milan between 18 October 2014 and 15 March 2015.
Tosetto Allestimenti was tasked with creating exhibition panels lined with jute, a cheap, rough fabric that Van Gogh used when times were hard. This material was also used in a drape-effect on the ceiling.
The company was also responsible for the many free-standing exhibition units, as well as the display cases that held an extensive selection of the artist’s letters, and the captions. In addition to the titles and technical data, these included quotations from Van Gogh himself, where he describes the work or comments on its origins.
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